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Measures: 35 - 60
Measures: > 150
Play Time: 2:10 - 3:20
Unique Durations: 6-7
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pental
3. Courante J.P. Rameau
pental
2:12 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 8 100%
Bass 28 11 9 7 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 8 6 8 100%
Bass 28 11 9 7 91%
 
Pour un tombeau sans nom Claude Debussy
pental
2:36 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Secondo Bass 22 13 7 5 88%
Bass 21 9 9 7 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Secondo Bass 22 13 7 5 88%
Bass 21 9 9 7 86%
Primo Treble 28 6 11 7 69%
Treble 24 9 9 7 53%
 
von Biber Sonata Violino Solo representativa
pental
2:13 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
solo		 Treble 21 4 4 7 100%
Basso
Continuo		 Bass 12 0 1 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
solo		 Treble 21 4 4 7 100%
Basso
Continuo		 Bass 12 0 1 6 97%
 
Franz_Robert_-_12_Gesnge_Op.1_No.7_-_Sonntag
pental
2:26 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 20 16 5 6 100%
Bass 19 8 3 4 100%
Singstimme Voice Treble 13 0 3 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 20 16 5 6 100%
Bass 19 8 3 4 100%
Singstimme Voice Treble 13 0 3 6 98%
 
II. Quem Vidistis Pastores Dicite F. Poulenc
pental
2:25 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS Treble 15 8 5 7 100%
Tenors Treble 16 0 4 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
AltoS Treble 15 8 5 7 100%
Tenors Treble 16 0 4 7 100%
Soprano Treble 15 3 5 7 91%
Basses Bass 13 0 2 6 68%
 
A Soft Day
pental
2:48 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 22 4 7 96%
Bass 21 16 3 7 92%
Voice Treble 9 0 1 8 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 22 4 7 96%
Bass 21 16 3 7 92%
Voice Treble 9 0 1 8 86%
 
Holmes_Augusta_Mary_Anne_-_Vingt Mélodies_No.7_-_Noel_d_Irlande
pental
3:16 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 59 6 7 91%
Bass 24 18 0 9 95%
Chant Voice Treble 12 0 1 8 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 59 6 7 91%
Bass 24 18 0 9 95%
Chant Voice Treble 12 0 1 8 98%
 
Le son du cor s'afflige vers les bois Claude Debussy
pental
3:04 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 29 18 5 97%
Treble 35 29 16 4 98%
Chant Treble 16 0 7 6 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 29 18 5 97%
Treble 35 29 16 4 98%
Chant Treble 16 0 7 6 77%
 
In der Fremde J. Rheinberger
pental
2:42 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 26 6 8 6 98%
Bass 15 1 3 5 67%
Stimme Treble 13 0 4 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 26 6 8 6 98%
Bass 15 1 3 5 67%
Stimme Treble 13 0 4 6 89%
 
Missa "Au travail suis" Kyrie Johannes Ockeghem
pental
2:32 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
Tenor Bass 13 0 1 6 90%
Bassus Bass 13 0 1 5 69%